Katy Barrett 6/13/25 Katy Barrett 6/13/25

Patterns and possibilities: Wright and Penone

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Katy Barrett 10/10/24 Katy Barrett 10/10/24

Making space for strangers: La biennale 2024

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Katy Barrett 9/20/24 Katy Barrett 9/20/24

On Stuttgart: Collecting and Kirches

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Katy Barrett 1/1/24 Katy Barrett 1/1/24

Best of 2023

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Katy Barrett 4/21/23 Katy Barrett 4/21/23

Immersive Opportunities: Hockney at the Lightroom

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Katy Barrett 2/20/22 Katy Barrett 2/20/22

Patterns in Porto

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Katy Barrett 1/1/22 Katy Barrett 1/1/22

Best of 2021

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Katy Barrett 12/18/21 Katy Barrett 12/18/21

Exploring with AAMC and ArtFund

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Katy Barrett 11/27/21 Katy Barrett 11/27/21

Rewilding the world

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Katy Barrett 11/7/21 Katy Barrett 11/7/21

Learning to see in Chichester and Venice

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Katy Barrett 3/26/21 Katy Barrett 3/26/21

Tenth Anniversary Special

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Katy Barrett 1/1/21 Katy Barrett 1/1/21

Best of 2020

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Katy Barrett 10/23/20 Katy Barrett 10/23/20

The Botanical Mind: Art, Mysticism and The Cosmic Tree

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Katy Barrett 10/4/20 Katy Barrett 10/4/20

Socially-distanced museums

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Katy Barrett 7/4/20 Katy Barrett 7/4/20

Olafur Eliasson: Art in real life

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Katy Barrett 6/3/20 Katy Barrett 6/3/20

Furlough and Phyllida

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Katy Barrett 5/15/20 Katy Barrett 5/15/20

Virtually there - touring closed exhibitions

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Katy Barrett 1/16/20 Katy Barrett 1/16/20

The Whitworth Art Gallery's 130-year mission to make itself useful

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Katy Barrett 1/1/20 Katy Barrett 1/1/20

Best of 2019

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Katy Barrett 12/26/19 Katy Barrett 12/26/19

Sociable Science

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