Katy Barrett 1/20/19 Katy Barrett 1/20/19

Marking time with Christian Marclay

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Katy Barrett 1/12/19 Katy Barrett 1/12/19

Experiments in art: a new Science Gallery in London

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Katy Barrett 1/1/19 Katy Barrett 1/1/19

Best of 2018

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Katy Barrett 12/28/18 Katy Barrett 12/28/18

Atypical Antwerp

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Katy Barrett 12/12/18 Katy Barrett 12/12/18

On my bookshelf

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Katy Barrett 12/9/18 Katy Barrett 12/9/18

A Pacific Panorama

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Katy Barrett 11/21/18 Katy Barrett 11/21/18

Banksy and Landy: On artists and the market

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Katy Barrett 11/18/18 Katy Barrett 11/18/18

Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE

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Katy Barrett 10/14/18 Katy Barrett 10/14/18

Here comes the Sun

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Katy Barrett 9/23/18 Katy Barrett 9/23/18

Pacific Encounters

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Katy Barrett 7/20/18 Katy Barrett 7/20/18

The Wellcome sinks its teeth into the history of dentistry

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Katy Barrett 6/10/18 Katy Barrett 6/10/18

#Processions2018

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Katy Barrett 5/12/18 Katy Barrett 5/12/18

Göttingen’s got it going on

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Katy Barrett 4/9/18 Katy Barrett 4/9/18

On Vilnius: What constitutes a historical object?

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Katy Barrett 3/10/18 Katy Barrett 3/10/18

Suffragettes in the city

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Katy Barrett 3/4/18 Katy Barrett 3/4/18

Art attention - from 28 seconds to 28 minutes

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Katy Barrett 2/22/18 Katy Barrett 2/22/18

‘There are no spectators, only participants’

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Katy Barrett 1/20/18 Katy Barrett 1/20/18

The London Mithraeum

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Katy Barrett 1/14/18 Katy Barrett 1/14/18

Metadata: Relating to images at Central Saint Martins

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Katy Barrett 1/1/18 Katy Barrett 1/1/18

Best of 2017

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