Katy Barrett 5/12/18 Katy Barrett 5/12/18

Göttingen’s got it going on

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Katy Barrett 4/9/18 Katy Barrett 4/9/18

On Vilnius: What constitutes a historical object?

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Katy Barrett 3/10/18 Katy Barrett 3/10/18

Suffragettes in the city

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Katy Barrett 3/4/18 Katy Barrett 3/4/18

Art attention - from 28 seconds to 28 minutes

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Katy Barrett 2/22/18 Katy Barrett 2/22/18

‘There are no spectators, only participants’

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Katy Barrett 1/20/18 Katy Barrett 1/20/18

The London Mithraeum

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Katy Barrett 1/14/18 Katy Barrett 1/14/18

Metadata: Relating to images at Central Saint Martins

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Katy Barrett 1/1/18 Katy Barrett 1/1/18

Best of 2017

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Katy Barrett 11/8/17 Katy Barrett 11/8/17

The artists who gave up colour

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Katy Barrett 9/17/17 Katy Barrett 9/17/17

#AskACurator; or when Twitter works well

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Katy Barrett 9/7/17 Katy Barrett 9/7/17

Dinos and dioramas

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Katy Barrett 8/26/17 Katy Barrett 8/26/17

Matisse: ‘the object is an actor’

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Katy Barrett 8/13/17 Katy Barrett 8/13/17

Capital culture

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Katy Barrett 7/10/17 Katy Barrett 7/10/17

Maritime Musings

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Katy Barrett 6/3/17 Katy Barrett 6/3/17

Baffling Bucharest

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Katy Barrett 6/3/17 Katy Barrett 6/3/17

The golden age of propaganda

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Katy Barrett 5/29/17 Katy Barrett 5/29/17

Making history of science

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Katy Barrett 4/11/17 Katy Barrett 4/11/17

A taongo of a trip

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Katy Barrett 4/2/17 Katy Barrett 4/2/17

The scale of war

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Katy Barrett 3/22/17 Katy Barrett 3/22/17

‘This human act of paying attention’

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