Katy Barrett 3/23/15 Katy Barrett 3/23/15

We’ve been the Humanities

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Katy Barrett 3/12/15 Katy Barrett 3/12/15

We the Humanities

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Katy Barrett 3/9/15 Katy Barrett 3/9/15

The changing state of conservation

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Katy Barrett 2/23/15 Katy Barrett 2/23/15

The Multiverse at Wysing

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Katy Barrett 2/16/15 Katy Barrett 2/16/15

Magnificent Obsessions

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Katy Barrett 2/11/15 Katy Barrett 2/11/15

The Postcard Collector

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Katy Barrett 2/7/15 Katy Barrett 2/7/15

Rubens and the legacy of images

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Katy Barrett 1/25/15 Katy Barrett 1/25/15

Stilled Life: Important Artifacts and Personal Property

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Katy Barrett 1/1/15 Katy Barrett 1/1/15

Best of 2014

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Katy Barrett 12/23/14 Katy Barrett 12/23/14

Powerful gifts: Is there a darker side to ‘Gold’?

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Katy Barrett 12/10/14 Katy Barrett 12/10/14

Moholy-Nagy’s pioneering multi-sensory art

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Katy Barrett 12/8/14 Katy Barrett 12/8/14

From Neues to Altes: buildings and collections hand in hand at the Berlin museums

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Katy Barrett 12/1/14 Katy Barrett 12/1/14

Advent: A Museum of Things

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Katy Barrett 11/10/14 Katy Barrett 11/10/14

Silent Partners: Mannequins at the Fitz

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Katy Barrett 11/1/14 Katy Barrett 11/1/14

Museums change lives

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Katy Barrett 10/11/14 Katy Barrett 10/11/14

Transforming landscape painting

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Katy Barrett 10/8/14 Katy Barrett 10/8/14

Physician, philanthropist, collector: ‘The Generous Georgian’ in three objects

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Katy Barrett 10/7/14 Katy Barrett 10/7/14

The National Trust gets brutal

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Katy Barrett 9/19/14 Katy Barrett 9/19/14

Houses as Museums / Museums as Houses

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Katy Barrett 8/30/14 Katy Barrett 8/30/14

(Complex) Subject / (Disobedient) Object

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